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	<title>Shooting People &#187; AJ Schnack</title>
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	<link>http://shootingpeople.org/blog</link>
	<description>Shooting People : Independent Filmmakers Network</description>
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		<title>Cinema Eye Winners and Photos</title>
		<link>http://shootingpeople.org/blog/2010/01/cinema-eye-winners-and-photos/</link>
		<comments>http://shootingpeople.org/blog/2010/01/cinema-eye-winners-and-photos/#comments</comments>
		<pubDate>Sat, 16 Jan 2010 16:30:02 +0000</pubDate>
		<dc:creator>ingrid</dc:creator>
				<category><![CDATA[Articles/Blogs/Books]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[From The Hip]]></category>
		<category><![CDATA[AJ Schnack]]></category>
		<category><![CDATA[Cinema Eye Honors]]></category>
		<category><![CDATA[documentaries]]></category>
		<category><![CDATA[Esther Robinson]]></category>

		<guid isPermaLink="false">http://shootingpeople.org/blog/category/fromthehip/?p=1140</guid>
		<description><![CDATA[A huge congratulations to everyone who won last night at the 2010 Cinema Eye Honors for Nonfiction Filmmaking but more importantly, congratulations to everyone who had a film nominated and to all those who have made and supported docs over the past year. The nominee line-up was pretty darn great and included films I have really loved: Loot, Episode 3 Enjoy Poverty, The Way We Get By and Mugabe and the White African for example. As co-chair AJ Schnack said,<a href="http://shootingpeople.org/blog/2010/01/cinema-eye-winners-and-photos/">...</a>]]></description>
			<content:encoded><![CDATA[<p>A huge congratulations to everyone who won last night at the <a href="http://www.cinemaeyehonors2010.com/" target="_blank">2010 Cinema Eye Honors for Nonfiction Filmmaking</a> but more importantly, congratulations to everyone who had a film nominated and to all those who have made and supported docs over the past year. The nominee line-up was pretty darn great and included films I have really loved:<em> Loot</em>, <em>Episode 3 Enjoy Poverty, The Way We Get By</em> and <em>Mugabe and the White African</em> for example. As co-chair AJ Schnack said, &#8220;There are no losers here.&#8221; But here&#8217;s the list of winners anyway (via <a href="http://www.indiewire.com/article/the_cove_tops_cinema_eye_honors/" target="_blank">indieWIRE</a>):<span style="text-decoration: underline;"><br />
</span></p>
<p>Outstanding Achievement in Nonfiction Feature Filmmaking:<br />
“The Cove,” directed by Louie Psihoyos, produced by Paula DuPre Pesman and Fisher Stevens</p>
<p>Outstanding Achievement in a Debut Feature Film:<br />
“October Country, directed by Michael Palmieri and Donal Mosher</p>
<p>Outstanding Achievement in Direction:<br />
Agnes Varda, “The Beaches of Agnes”</p>
<p>Outstanding Achievement in Production:<br />
Paula DuPre Pressman and Fisher Stevens, “The Cove”</p>
<p>Outstanding Achievement in Cinematography:<br />
Brook Aitken for “The Cove”</p>
<p>Outstanding Achievement in Editing:<br />
Janus Billeskov-Jansen and Thomas Papapetros for “Burma VJ”</p>
<p>Outstanding Achievement in Grapic Design and Animation:<br />
Tie: Big Star for “Food, Inc” and “RIP &#8211; Remix Manifesto”</p>
<p>Outstanding Achievement in Original Music Score:<br />
“October Country”: Danny Grody, Donal Mosher, Michael Palmieri and Kenric Taylor</p>
<p>Outstanding Achievement in an International Feature:<br />
“Burma VJ,” directed by Anders Ostergard, produced by Lise-Lense Moeller</p>
<p>Audience Choice Prize:<br />
“The September Issue,” directed by RJ Cutler</p>
<p>Spotlight Award:<br />
“Beetle Queen Conquers Tokyo,” directed by Jessica Oreck</p>
<p>Cinema Eye Legacy Award:<br />
“Sherman’s March, directed by Ross McElwee</p>
<p><img class="alignnone size-full wp-image-1146" title="IMG_3157" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3157.jpg" alt="" width="500" height="375" /></p>
<p>Cinematographer Kirsten Johnson taught us an excellent trick for taking photos like a model &#8211; here she demonstrates it in action with Michael Palmieri (co-director of Debut Feature winner <em>October Country</em>)</p>
<p><img class="alignnone size-full wp-image-1142" title="IMG_3149" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3149.jpg" alt="" width="500" height="375" /></p>
<p><em>The Way We Get By</em> producer Gita Pullapilly with filmmaker Doug Block who presented an award</p>
<p><img class="alignnone size-full wp-image-1143" title="IMG_3150" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3150.jpg" alt="" width="500" height="375" /></p>
<p><em>October Country</em> also won for Original Music Score. Here&#8217;s some of the people who made that happen.</p>
<p><img class="alignnone size-full wp-image-1144" title="IMG_3152" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3152.jpg" alt="" width="500" height="375" /></p>
<p><em>October Country</em> directors Donal Mosher and Michael Palmieri flank <em>Loot</em> director Darius Marder</p>
<p><img class="alignnone size-full wp-image-1145" title="IMG_3153" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3153.jpg" alt="" width="500" height="375" /></p>
<p>Jean-Pierre Duret, director of <em>Because We Were Born</em> (nominated for a Spotlight Award)</p>
<p><img class="alignnone size-full wp-image-1147" title="IMG_3160" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3160.jpg" alt="" width="500" height="375" /></p>
<p>Renzo Martens, director of <em>Episode 3: Enjoy Poverty</em> (nominated for a Spotlight Award) with co-chair Esther Robinson</p>
<p><img class="alignnone size-full wp-image-1148" title="IMG_3163" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3163.jpg" alt="" width="375" height="500" /></p>
<p>DJ and hat-wearer extraordinaire: Ion</p>
<p><img class="alignnone size-full wp-image-1149" title="IMG_3164" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3164.jpg" alt="" width="500" height="375" /></p>
<p>The Union Docs gang</p>
<p><img class="alignnone size-full wp-image-1150" title="IMG_3165" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3165.jpg" alt="" width="500" height="375" /></p>
<p>David Nugent looking slightly less happy than Matt Dentler</p>
<p><img class="alignnone size-full wp-image-1152" title="IMG_3168" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3168.jpg" alt="" width="500" height="375" /></p>
<p>A glowingly pregnant Raphaela Neihausen and a very dapper Hugo Perez</p>
<p><img class="alignnone size-full wp-image-1154" title="IMG_3184" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3184.jpg" alt="" width="500" height="375" /></p>
<p>AJ Schnack and Magnolia&#8217;s Eamonn Bowles at the after-party</p>
<p><img class="alignnone size-full wp-image-1155" title="IMG_3187" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3187.jpg" alt="" width="500" height="375" /></p>
<p>Festivals unite! David Nugent (Hamptons International Film Festival) and Ben Fowlie (Camden International Film Festival)</p>
<p><img class="alignnone size-full wp-image-1156" title="IMG_3188" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3188.jpg" alt="" width="500" height="375" /></p>
<p>Angela Tucker and Trish Dalton</p>
<p><img class="alignnone size-full wp-image-1166" title="laure" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/laure.jpg" alt="" width="375" height="500" /></p>
<p>Me and Laure Parsons</p>
<p><img class="alignnone size-full wp-image-1151" title="IMG_3166" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3166.jpg" alt="" width="375" height="500" /></p>
<p>Ion doing what he does best (play great music and wear great hats)</p>
<p><img class="alignnone size-full wp-image-1157" title="IMG_3196" src="http://shootingpeople.org/blog/wp-content/uploads/2010/01/IMG_3196.jpg" alt="" width="375" height="500" /></p>
<p>Danny Grody holding the spiky Cinema Eye award for Original Music Score (<em>October Country</em>)</p>
]]></content:encoded>
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		<item>
		<title>True/False Thanks and Love</title>
		<link>http://shootingpeople.org/blog/2009/03/truefalse-thanks-and-love/</link>
		<comments>http://shootingpeople.org/blog/2009/03/truefalse-thanks-and-love/#comments</comments>
		<pubDate>Fri, 06 Mar 2009 16:01:07 +0000</pubDate>
		<dc:creator>ingrid</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[From The Hip]]></category>
		<category><![CDATA[AJ Schnack]]></category>
		<category><![CDATA[Debra Zimmerman]]></category>
		<category><![CDATA[Karina Longworth]]></category>
		<category><![CDATA[Kirby Dick]]></category>
		<category><![CDATA[Matt Dentler]]></category>
		<category><![CDATA[Rachel Rosen]]></category>
		<category><![CDATA[True/False]]></category>
		<category><![CDATA[Yance Ford]]></category>

		<guid isPermaLink="false">http://shootingpeople.org/blog/category/fromthehip/?p=873</guid>
		<description><![CDATA[Really sweet thank you video from True/False and Boxcar Films:]]></description>
			<content:encoded><![CDATA[<p>Really sweet thank you video from<a href="http://truefalse.org/" target="_blank"> True/False</a> and <a href="http://boxcarfilms.com" target="_blank">Boxcar Films</a>:</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="344" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="src" value="http://www.youtube.com/v/8Lpa0uH4aWw&amp;color1=0x2b405b&amp;color2=0x6b8ab6&amp;hl=en&amp;feature=player_embedded&amp;fs=1" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="425" height="344" src="http://www.youtube.com/v/8Lpa0uH4aWw&amp;color1=0x2b405b&amp;color2=0x6b8ab6&amp;hl=en&amp;feature=player_embedded&amp;fs=1" allowfullscreen="true"></embed></object></p>
]]></content:encoded>
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		<title>Cinema Eye 2009 Shortlist</title>
		<link>http://shootingpeople.org/blog/2009/01/cinema-eye-2009-shortlist/</link>
		<comments>http://shootingpeople.org/blog/2009/01/cinema-eye-2009-shortlist/#comments</comments>
		<pubDate>Thu, 08 Jan 2009 20:05:55 +0000</pubDate>
		<dc:creator>ingrid</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[From The Hip]]></category>
		<category><![CDATA[AJ Schnack]]></category>
		<category><![CDATA[Cinema Eye Honors]]></category>
		<category><![CDATA[Thom Powers]]></category>

		<guid isPermaLink="false">http://shootingpeople.org/blog/category/fromthehip/?p=756</guid>
		<description><![CDATA[Awards are a bit like weddings. You sort of wish that everyone would just get together and throw a party and pay attention to each other just because it&#8217;s a nice thing to do but you really have to add a little something extra into the mix to get people to rent hotel rooms and buy toasters and china and, well, I guess my point is that sometimes, although the competition aspect of film award events doesn&#8217;t sit so well<a href="http://shootingpeople.org/blog/2009/01/cinema-eye-2009-shortlist/">...</a>]]></description>
			<content:encoded><![CDATA[<p>Awards are a bit like weddings. You sort of wish that everyone would just get together and throw a party and pay attention to each other just because it&#8217;s a nice thing to do but you really have to add a little something extra into the mix to get people to rent hotel rooms and buy toasters and china and, well, I guess my point is that sometimes, although the competition aspect of film award events doesn&#8217;t sit so well with me, it is a great way to draw attention to films and filmmakers. And the <a href="http://cinemaeyehonors.com" target="_blank">Cinema Eye Honors</a>, celebrating their second year in 2009, are a breath of fresh air in the awards world, drawing attention to the full scope of documentary filmmaking practice and to all aspects of the craft.</p>
<p>Final nominations will be announced on January 19th in Park City during Sundance. The shortlist is as follows:</p>
<p>AMERICAN TEEN &#8211; Nanette Burstein, dir<br />
THE BETRAYAL (NERAKHOON) &#8211; Ellen Kuras &amp; Thavisouk Phrasavath, dir<br />
ENCOUNTERS AT THE END OF THE WORLD – Werner Herzog, dir<br />
THE ENGLISH SURGEON – Geoffrey Smith, dir<br />
FORBIDDEN LIES – Anna Broinowski, dir<br />
IN A DREAM – Jeremiah Zagar, dir<br />
MAN ON WIRE – James Marsh, dir<br />
MY WINNIPEG – Guy Maddin, dir<br />
THE ORDER OF MYTHS – Margaret Brown, dir<br />
ROMAN POLANSKI: WANTED AND DESIRED – Marina Zenovich, dir<br />
STANDARD OPERATING PROCEDURE – Errol Morris, dir<br />
STRANDED, I COME FROM A PLANE THAT CRASHED ON THE MOUNTAINS – Gonzalo Arijon, dir<br />
TROUBLE THE WATER – Carl Deal &amp; Tia Lessin, dir<br />
UP THE YANGTZE – Yung Chang, dir<br />
WALTZ WITH BASHIR – Ari Folman, dir</p>
<p>The Cinema Eye Nominations Committee was comprised of 15 of the top festival programmers of nonfiction films.  This year’s committee members are:</p>
<p>Meira Blaustein, Woodstock Film Festival<br />
Phoebe Brush, Full Frame Film Festival<br />
David Courier, Sundance Film Festival<br />
Heather Croall, Sheffield Doc/Fest<br />
Sean Farnel, Hot Docs<br />
Tine Fischer, CPH:DOX (Copenhagen)<br />
Tom Hall, Sarasota Film Festival<br />
David Kwok, Tribeca Film Festival<br />
David Nugent, Hamptons Film Festival<br />
Janet Pierson, SXSW Film Festival<br />
Thom Powers, Toronto International Film Festival<br />
Rachel Rosen, LA Film Festival<br />
Sky Sitney, AFI Silverdocs<br />
David Wilson, True/False Film Festival<br />
Brit Withey, Denver Film Festival</p>
<p>Congrats to all the shortlisted filmmakers and to AJ Schnack and Thom Powers and everyone else involved in Cinema Eye for doing such sterling work for documentaries. You are probably already familiar with Schack&#8217;s <a href="http://edendale.typepad.com/weblog/" target="_blank">All These Wonderful Things blog</a> but Powers has a great new-ish blog for<a href="http://stfdocs.com" target="_blank"> Stranger Than Fiction</a> so subscribe to it today! The Winter Season of STF runs from January 13th till March 1st at NYC&#8217;s IFC Center, and it kicks off on Tuesday with Ben Kempas&#8217; <em>Upstream Battle</em>. See you there!</p>
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