The incredibly useful Workbook Project recently added another weapon to its creative arsenal. NEW BREED consists of first person accounts of the filmmaking process – you can read through all the posts or go straight to the filmmakers or projects that you’re particularly interested in. The site outlines some NEW BREED goals for 2009: With the dawn of 2009 comes some new additions to the site. NEW BREED: CRITICAL FOCUS will introduce a new series of interviews, special topics addressed…

I have been spending the last few days catching up on presentations and panels from the Power to the Pixel conference that took place in London last month – they are now online and free to wach. There’s some great info and ideas here, from Christy Dena on cross-media production, to Arin Crumley on collaborative filmmaking to Jamie King on distribution. If you are feeling worried about how the credit crunch is going to affect independent filmmaking (and let’s face…

Scott Kirsner of CinemaTech was commissioned by ITVS to investigate how indepedent filmmakers are working with new technologies and to answer the following questions: Opening Up Production to Participation During pre-production and production, how are filmmakers communicating with audiences, widely dispersed teams, funders and prospective subjects in new ways? What new opportunities for involvement and participation are they exploring? Finding New Audiences Once a project is completed and ready for release/broadcast, how are filmmakers using blogs, social networks, games and…

Hi everyone, I’m Patrick and this is my first time posting on Shooting People. Two weeks ago I was approached by James Mullighan to blog about a self-distribution project I’m running at Met Film. Some of you might know the Met Film School, it turns out we’re actually a group of three companies, Met Film Post, Met Film Production and the Met Film School and we develop, produce and post-produce a variety of feature films and television programs… Bet you…

I wasn’t able to attend the Shooting People/BAFTA Short Sighted event in London earlier this month due to the very inconvenient fact that I was in New York! But all the feedback has been excellent and it sounds like filmmakers really benefited from the day’s panels and case studies. I particularly like this comment: “The event was motivating due to the knowledge of panel members as well as the clever filmmakers attending. Shooting People is ‘as yellow as the generosity…

Been meaning to blog this since it came out last week during Independent Film Week. Some of you may already be familiar with the new distribution strategy that Peter Broderick advocates but he lays it out very clearly in this two part article for indieWIRE. Part 1 Part 2 This chart illustrates the differences between what Broderick calls the old and new worlds of distribution. And he finishes with some solid tips: Be strategic – In the Old World, most…

MovieMobz is a Brazilian iniative that allows film fans from the Moviemobz social network to choose the films they want to see by clicking an “I Want To See It” button. If enough people select a certain film (both classics and new releases are on offer) then it is programmed and they are emailed about the screening. About 2.5 people attend for every member who’s voted. As Arin Crumley remarks, this is similar to the Four Eyed Monsters heart map.…

Another piece from Anne Thompson at Variety about the changing distribution strategies indie producers/distributors are pursuing: [F]ilmmakers with an easily defined niche and some marketing flair can still assemble a distribution plan. After doc “Beautiful Losers” debuted at SXSW in March, the filmmakers considered traditional offers from distribs but decided to release the doc on their own. Sidetrack Films partnered with Nike Sportswear to sponsor art workshops, and a shoe and apparel company helped pay for its Aug. 8 launch…

Scott Macaulay had some interesting things to say about how the way that we watch stuff affects our impression of it in the latest Filmmaker newsletter. He writes about a comment left in response to Noah Harlan’s post about new business models: Rather than debate business models, this poster said, why don’t filmmakers just focus on making a good picture? He (or, perhaps another anonymous poster) wrote, “I don’t see distribution as the thorn in indie’s side. I see quality…

From the Tribeca Film Institute’s website: The Tribeca Film Institute asked Intelligent Television to launch an examination of the current economics of independent film and video distribution in the United States to help producers, distributors, and funders better understand current realities and trends in the film and video distribution market.  This study, supported in part by the John D. and Catherine T. MacArthur Foundation, is intended to be of mainstream value—documentary films and education film and television remain popular, and…