Daniel D. Moses

Director, Camera Operator, Editor, Stills Photographer

Contact Shooter

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My Details

 

Male
Great Britain , London
danieldmoses@gmail.com

Current Work Details

What I do

Filmmaker / Stills Photographer / HD-SLR Op / General Shooter / FCP Editor

Company

Freelance (DDM Productions)

Website

http://www.danielmoses.com

Blog Feed

danielmoses.blogspot.com/feeds/posts/default

Where I work

I share an office with friends

Technical Skills

HDV/D-SLR Camera, FCP Editor, Stills Photography, Graphic Design

Resources / Expertise

Film & Documentary, Music & EPK, Charity, NGO & Corporate, Performing Arts, Teaching

Availability

Paid Work or Collaboration

Training

2002-2005

Brunel University,
Film & TV and American Studies, 2:1 BA (HONS)

2008-2008

Raindance,
How to sell your film, Short course

2010-2010

Raindance,
Directing Eseentials

2010-2010

Raindance,
Power of Lighting

Shooters Q&A

Films I wish I had made

Back To The Future, Annie Hall, The Producers, The Apartment, Bananas, Young Frankenstein, Indiana Jones, The Usual Suspects, Spinal Tap

Directors I love

Spielberg, Scorsese, Woody Allen, Mel Brooks, Wilder, Bryan Singer

Actors I admire

DeNiro, Natalie Portman, Dustin Hoffman, Christopher Walken, Scarlet Johannson, Bill Murray, Gene Wilder, Chaplin, Kermit The Frog

My desert island discs

Springsteen, The Stones, James Brown

The best thing I own

My Cameras, My MacBook Pro, My Blackberry, My Guitars, My Sideburns

More about me

Daniel is a London based Freelance Photographer and Filmmaker with varied project experience spanning Film & Documentary, Music & Performing Arts, Charity & NGO and Teaching. Specialising in HD-SLR filmmaking, recent projects include Music videos for the bands "Cornershop", "Captain SKA" and "Maroon Town"; Campaign film shorts with disability Charity "Scope", part of a long term communication aid campaign they were screened at the BT Tower; and original Comedy web series "Movement For Gloom". Daniel's passion for moving and still images began at the age of 10 when he picked up his dad's video camera insisting on documenting the world around him, a practice he has continued today approaching every project with a reportage style that has been described as "...non intrusive, but very inclusive..."

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