In the world of scripted film and television there will always be a key person who is first in the chain to see work that arrives in the offices of producers, agents, financiers, distributors. That person is usually a reader, often freelance, whose job is to make that crucial first analysis and to either steer the work towards the next in line or to send it spinning back home. That's a big, exciting responsibility "“ who wouldn't want to discover that next big thing?
At this practical workshop, we will provide an introduction to the world of script reading and reporting "“ the first rung on the development process ladder.
Participants should have a passion for storytelling as well as an enjoyment of collaborative working. They might be aspiring or new producers, writers, production personnel or from other sectors of the creative industries but with a desire to move towards film and television.
The sessions will involve a significant amount of practical work and, as well as learning from the tutor and each other, participants will hear about good practice from experienced script readers, editors and producers.
By considering a combination of completed produced work and new screenplays participants will learn how to identify the potential within a script, what makes a good story and to recognise screenwriting talent.
Different report writing styles will be examined and applicants will work on practical exercises to develop their skills. They will learn how to produce loglines, synopses, to discuss tone and genre and to give their own comments in a way appropriate for the recipient of the report and their particular needs.
The course will include:
Assessing the originality of an idea, as well as story, structure and screenwriting ability
Style, formats and requirements of reporting for different audiences (producers, film agencies, writers, agents and distributors)
Different considerations for film and TV, and the role of the read in the development process in both
Who is it for?
Those looking to break into TV or film, or with some experience but looking to develop their careers or with ambitions to become a script editor.
Barbara Mckissack is the former head of drama at BBC Scotland, and an acclaimed executive producer who credits include TV series (Mrs In-Betweeny - a pilot created by Paul Abbott, Monarch of the Glen, Two Thousand Acres of Sky), soaps (River City), TV movies (England Expects) and feature films (Morvern Callar, Ratcatcher.)
This course is running at an Introductory rate of 235 + VAT, (Standard rate card price 650 + VAT
