Archival Storytelling: A Filmmaker’s Guide to Finding, Using, and Licensing Third-Party Visuals and Music is a new book from the hard working folk at Focal Press who publish so many essential books on filmmaking. Copyright and clearance is such a minefield for filmmakers who are frequently faced with the double whammy of complex legal rules and enormous licensing expenses. This book is a great resource because it surveys the entire landscape from ethical/creative considerations to fair use to changes in the digital age, and the focus is always on the importance of telling stories. Which is what it is all about after all!

Archival Storytelling features roundtable discussions with people like Rick Prelinger, Claire Aguilar, Stanley Nelson and Sam Green and conversations with experts in the field like my personal hero, intellectual property law activist Lawrence Lessig. The inclusion of people from different disciplines – historians, archivists, lawyers and filmmakers – is very useful in conveying the complexity of the subject but there is also lots of good practical advice to help you get your films made. In fact, it may even make you think differently about how you tell your stories. After all, being able to draw on and build upon the creative output of others is a creative act in itself, and can lead to all sorts of delightful possibilities. Just think of the way music is creatively juxtaposed with images, or how archive can bring history to life or give us new perspectives on social issues. Not to mention contemporary mashups and other creative products of digital convergence culture.

Archival Storytelling focuses on American intellectual property law but it does also deal with legal issues in other countries, for instance fair dealing in the United Kingdom. The authors have kindly allowed us to include an excerpt from a conversation with Hubert Best, a partner at the law firm Best & Soames in London and an internationally recognized expert in intellectual property and media law. Best talks about British law and shows why fair dealing in the UK is so different to fair use in the US.

Download the extract here: archival-storytelling-conversation-with-hubert-best

Ted Hope’s new blog Truly Free Film is definitely one to add to your reader (if you haven’t started subscribing to blog feeds in a reader I highly recommend it – it saves time and allows you to keep track of loads of blogs and websites in one place. I use Google Reader but there are other options out there). I previously wrote about Hope’s Phoenix Rising speech here and his Truly Free Film blog follows on from this with excellent tips for filmmakers. One of his posts talks about what a bunch of luddites filmmakers can be and I have to say that I have found this to be mostly true and it’s a shame because there are some incredible tools out there for us to use now. Shooting People is celebrating its 10th birthday this week and in the last decade we have seen some monumental changes in terms of technology and innovation. It’s hard for filmmakers now because the competition is so fierce (and the budgets are often so low) but the ability that we now have to connect and collaborate with each other and our audiences is unprecedented.

In one of his posts, Hope linked to this excellent resource on social media by Beth Kanter (check out her blog on how nonprofits can use social media). I follow her on Twitter because her observations are often very relevant for filmmakers too. Twitter has become a useful tool for finding out about exciting things happening in the world of Web2.0, social media and technology – and I have been introduced to lots of great people and ideas through it. It is definitely worth investigating although it can also be something of a time-suck. You have been warned.

I have been spending the last few days catching up on presentations and panels from the Power to the Pixel conference that took place in London last month – they are now online and free to wach. There’s some great info and ideas here, from Christy Dena on cross-media production, to Arin Crumley on collaborative filmmaking to Jamie King on distribution. If you are feeling worried about how the credit crunch is going to affect independent filmmaking (and let’s face it, who of us isn’t!) then watch some of these videos and get inspired about all the possibilities out there (many of them low cost, using free tools that are already available).

Here’s Jamie King, creator of Steal This Film, which has been viewed millions of times after being given away for free via BitTorrent.