Download it free here.

Since then he has created a distribution union of many leading p2p sites ( The Pirate Bay, Mininova, Miro, TorrentFreak, Isohunt, Plube, OneDDL, Vuze, Frostwire and others) whose accumulative daily users top 40 million. They have agreed to promote one VODO film a month on their front pages. This means that free complete copies of the films will be released to all these site and VODO, which is short for voluntary donation, will collect all and any donations which are given as a result.

The project went live with Ivo Gormley’s documentary “Us Now” as the first test. The film achieved 100,000 downloads in the first four days and a bunch of attention, which ain’t bad at all. VODO is backed by the Arts Council, The Channel 4 BRITDOC Foundation, Emerald Fund and Goldsmith’s College. Shooting People is coming on board as a strategic partner, offering engagement and support for a number of reasons:

We applaud these kinds of distribution experiments which are driven by a love of independent content and a desire to make the work of independent filmmakers (rather than mega bucks for corporate entertainment conglomerates) sustainable in the digital era. We wanted to give Jamie our public support.
VODO needs quirky, smart and adventurous filmmakers to consider using this approach. Shooting People has loads of those.
We wanted to stay close to the results, lessons and new ideas that will come out of this experiment and be able to share that with the community. Can P2P sites drive large audiences to new work, not just famous titles? Can a donation culture be developed amongst those who are no longer paying for content up front? How many downloads are needed to trigger one donation? Is it possible to build a fan base for filmmakers this way? Can you sell content to TV stations after they have been a pirate hit? There are many important questions here that can only be answered by sucking and seeing.

So please go to VODO.net to find out more: www.vodo.net

Open Video is more than just open codecs. It’s the growing movement for transparency, interoperability, and further decentralization in online video. These qualities provide more fertile ground for independent producers, bottom-up innovation, and greater protection for free speech online. The conference will showcase awesome cultural works, inspiring talks, and cool tech demos.

They have some great speakers like Clay Shirkey and Yochai Benkler and topics span a huge and fascinating spectrum: fair use, human rights and video, mobile journalism, art and technology and giving away films for free (Jamie King will be speaking about Steal This Film II, Brett Gaylor about Rip: A Remix Manifesto). I plan to be there and will report back. There will also be a live webcast.

Find out more about the Open Video Alliance and the ideas behind the Conference in the video below.

In one of his posts, Hope linked to this excellent resource on social media by Beth Kanter (check out her blog on how nonprofits can use social media). I follow her on Twitter because her observations are often very relevant for filmmakers too. Twitter has become a useful tool for finding out about exciting things happening in the world of Web2.0, social media and technology – and I have been introduced to lots of great people and ideas through it. It is definitely worth investigating although it can also be something of a time-suck. You have been warned.

Here’s Jamie King, creator of Steal This Film, which has been viewed millions of times after being given away for free via BitTorrent.

If you can get to it, this looks like it will address a lot of the questions that we all have about mobile content and how it will pay…
Are you thinking of joining the next revolution in digital media and distributing your work through mobile phones or inventing software applications?

This seminar will give you an overview of the legal framework including licensing, royalties, data protection and more.

Wednesday 12 November 2008, 6.00-9.00pm (6.00-8.00pm presentations and Q&A followed by drinks/networking until 9.00pm.)

Location: Conference Room Suite, Accelerator, London Metropolitan University, Shoreditch Building, 35 Kingsland Road, London, E2 8AA.

To book your free place to attend, please visit: www.own-it.org/events

Topics covered include:
- All about contracts, from licensing to copyright assignments.
- How can you get paid? Various payment models explained.
- Moral rights.
- How can you protect your work from being copied or distributed beyond the terms and conditions of your agreement?
- How can you protect your work from being deemed ‘orphaned’ – meaning it’s distributed to so many users that nobody has any idea who the copyright holder is?
- What’s the value of your work? Is there a difference between music, games, characters, photography or writing?
- Data protection.

The Global Mobile Festival follows the success of the GSMA’s previous collaborations with the Sundance Film Festival to create the Global Short Film Project.

The GSMA and Mofilm are seeking films up to five minutes in length, made both using traditional filmmaking techniques by established and upcoming film directors, as well as films made using mobile devices themselves.

Submission forms and films can be uploaded on-line at the Mofilm website.

The deadline for submissions is Friday 28 November.

Films will be judged by an international jury of film, festival and mobile content experts, with the best films showcased at the GSMA’s Mobile World Congress, the world’s largest communications industry event that attracts more than 55,000 visitors from the mobile, entertainment and many other industry sectors to Barcelona each February.

Find out more here.

Am still trying to process the information overload that was yesterday’s very entertaining as well as informative Power to the Pixel forum (continuing today). I will write up the reams of notes that I produced throughout the day, I promise. Liz did say that videos of both days’ sessions would be available shortly so keep an eye on the website.

In the meantime, let me make it up to you with an exclusive Shooters’ 10% discount on the Encounters Short Film Festival’s Film School (22-23 November). The offer lasts until 10 November and the School is limited to 40 places so I wouldn’t delay in applying…

(NB Shooters also get 20% off Encounters delegate passes until 10 November. See the bulletins for info.)

Encounters Film School: The Final Edit

10% Discount on Film School: The Final Edit Fri 21 Nov – Sat 22 Nov
Offer ends 10 November

This year’s Film School will be bigger and better than ever, with the focus on post-production. With support from SkillSet, NFTS, London Film Academy and our industry partners Avid and Apple we are able to offer a day of masterclasses and case-studies, as well as a day of hands-on training. We are offering Shooters, who fit the requirements below a 10% discount on the two day course, which includes:

• Masterclasses and talks delivered by leading industry editors including: Eddie Hamilton (Editor of Resident Evil: Apocalypse), Annabelle Pangborn (Composer and Sound Designer), Alan Marques and Dave Barnard (VFX specialists); as well as a special session by Paddy Considine on his BAFTA-winning short Dog Altogether.

• Full day of hands-on training in post production software (including Final Cut Pro, Color, Avid and ProTools) from accredited trainers.

• Market stands and Final Cut demos

Target Audience: Edit assistants, technical runners, short filmmaker/editors i.e. those who have an interest in developing an existing career in post-production.

‘Quote Shooters on the application form to receive a 10% discount’ Offer ends 10 November

More information and a downloadable application form available here

Unable to make it to London for the Power to the Pixel conference? Don’t worry! Our web video partner, Kinura, is making sure you can still see every second of it.

Starting at 10am GMT on Wednesday, 22nd October, we’ll begin webcasting live to audiences worldwide. You can watch things unfold at powertothepixel.com/webcast or at www.screendaily.com

Power to the Pixel!