Some interesting data to make you think more about how and why you use social media.

I have just returned from The Conversation in California where I learned a huge amount about what is possible for filmmakers given the technology (and thinking!) available these days. The good news for those of you in London is that film/tech whiz Liz Rosenthal has produced what I’m sure will be an equally mind-expanding couple of days at this year’s Power To The Pixel – in fact some of the same wonderful people will be there: Lance Weiler, Arin Crumley, Danae Ringelmann, Slava Rubin. I’m particularly sad that I won’t be able to hear Christy Dena speak as I am becoming increasingly inspired by multi/cross-platform possibilities for filmmakers. So please get yourselves there if you can, and if you can’t make sure you follow the action on the live webcast. Here’s all the info from the Pixel folk:

Unable to make it to London for the Power to the Pixel conference? Don’t worry! Our web video partner, Kinura, is making sure you can still see every second of it.

Starting at 10am GMT on Wednesday, 22nd October, we’ll begin webcasting live to audiences worldwide. You can watch things unfold at powertothepixel.com/webcast or at www.screendaily.com

Power to the Pixel!

Shooters,

If your film is engaged with campaigning for social change, you might be interested in co-pilot.net as a means of discussing and seeding your project. Please come back to Tools to report when you have had a chance to try it out. Launches 22 October:

co-pilot.net is an online resource designed to collate knowledge and experiences and enable open discussion for those working at the intersection of art, technology and social change.

Anyone is welcome to join, share and exchange views, resources, skills and experiences. co-pilot.net features case studies of convergence between the spheres of art, technology and social change as well as interviews, podcasts, videos and lists of useful resources. Users can add content, comment on topics and direct people to their own or other interesting projects.

There currently exists an extensive unmapped landscape of socially engaged work that inspires change through art, technology and participation. This includes working with older people, young people and the socially excluded through the ever-expanding field of new and emerging creative technologies. It is impossible to provide a one-size-fits-all toolkit for a terrain as complex and diverse that is still rarely discussed in a free and open fashion.

co-pilot.net provides the framework to aggregate the wealth of experience and knowledge held by talented individuals and groups to inspire discussion, exchange and action.

From 22 October to 2 December 2008 co-pilot.net will host a live online debate. Every week a guest host with extensive experience in the field of art, technology or social change will upload information and lead a discussion forum for the exploration of issues and debate.

You can contribute to the growing pool of knowledge, resources and debate at http://co-pilot.net.

Super producer and super nice guy Ted Hope gave a keynote address at Film Independent’s Filmmaker Forum in Los Angeles over the weekend. If you need to gird your loins for the challenges and opportunities ahead you should read it because you, dear readers, are the TRULY FREE FILMMAKERS he is talking about, or at least you can be.

A THOUSAND PHOENIX RISING
How The New Truly Free Filmmaking Community Will Rise From Indie’s Ashes

I can’t talk about the “crisis” of the indie film industry. There is no crisis. The country is in crisis. The economy is in crisis. We, the filmmakers, aren’t in crisis.

The business is changing, but for us –us who are called Indie Filmmakers — that’s good that the business is changing. Filmmaking is an incredible privilidge and we need to accept it as such – and accept the full responsibility that comes with that priviledge.

The proclamations of Indie Film’s demise are grossly exaggerated. How can there be a “Death Of Indie” when Indie — real Indie, True Indie — has yet to even live?
Yes, there’s a profound paradigm shift, and that shift is the coming of true independence. The hope of this new independence is being threatened even before it has arrived. Are we going to fight for our independence and can we even shoulder the responsibility that independence requires? That is: will we ban together and work for our communal needs? Are we ready to leave dreams of stardom and wealth behind us?

When someone says “Indie is dead”, they are talking about the state of the Indie Film Business, as opposed to what are actually the films themselves. They can say “The sky is falling” because for the last fifteen years, the existing power base in the film industry has focused on films fit for the existing business model, as opposed to ever truly concentrating on creating a business model for the films that filmmakers want to make.

This is where we are right now: on the verge of a TRULY FREE FILM CULTURE, one that is driven by both the creators and the audiences, pulled down by the audience and not pushed onto them by those that control the apparatus and the supply. We now have the power and the tool for something different, but will we fight to preserve the internet, the tool that offers us our new freedom? Can we banish the the dream of golden distribution deals, and move away from asking others to distribute and market it for us? Can we accept that being a filmmaker means taking responsibility for your films, the primary responsibility, all the way through the process? That is independence and that is freedom…

Read the full transcript on Filmmaker Magazine’s website.

Calling all Scottish Shooters,

Early Bird Booking for Partnerships 2.0 closes at 5pm, Wednesday 10 September 2008.

The Forum, which is being is being hosted by the Scottish Arts Council and Scottish Screen, will explore how to develop audiences for the arts, film and the wider creative industries by maximising (Web 2.0) technology and new partnerships.

Chaired by Scottish broadcaster and journalist Muriel Gray, international keynote speakers include Zurich-based Gerd Leonhard, one of the world’s leading media futurists, and Brian Newman, CEO of the Tribeca Film Institute in New York. Pat Kane, lead singer with Scottish band Hue and Cry, will lead a seminar on a musician’s quest to find a business model in this age of networks. Further participants – just confirmed – include Richard Hadley, Audiences Europe Network, Hannah McGill, Edinburgh International Film Festival, and Roberta Doyle, National Theatre of Scotland.

The Forum will attract a wide audience of professionals, united by their passion for audiences and audience development.

For booking information, please visit www.scottisharts.org.uk or contact forum08@scottisharts.org.uk.

This weekend is the Hide and Seek Festival in London (27-29 June) and tomorrow they start with Hide and Speak – a day of discussions on games and the future of play.

Lots of Toolsy issues being covered and, interestingly, a session considering what might be gained from not using the technology available.

Friday 27 June 2008

- The ARGs Don’t Work, 9.30am-1.00pm
There’s a major problem with the structure of alternate reality games (ARG). How do you keep your core players happy while making something that lets the casual audience in throughout the life of the project? An international panel of ARG designers meet to discuss their experiences and their visions for the future.

- And Some History for Good Measure, 2.30-3.10pm
Pervasive games explore the space where games overlap with other cultural forms. This talk looks at some of the highlights of games-plus-something-else from the last thousand years or so, from an educational arithmetic game of the Middle Ages to alternate rule sets for duelling.

- Taking the Pervasive Game Turing Test, 3.30-5.00pm
The Pervasive Game Turing Test poses this question: could I be having an equal or greater amount of fun playing this game without using technology? This issue has challenged us at Hide and Seek to consider the role of technology in every game that we make. From text messaging to Wii hacks to GPS (Global Positioning System), a panel of games and technology designers discuss the possibilities and pitfalls of going past paper and pen.

Hide and Seek is a festival of social games and playful experiences, running in London from the 27-29 June 2008.

For more information, bookings and the full programme of events visit their website.

If you need a little help sorting out your RSS feeds from your Wikis then check out the videos on The CommonCraft Show. Lee LeFever explains the basics in a wonderfully clear way and will get you started with some suggested links to try out. Topics include:

Twitter
Social Networking
Social Bookmarking
Blogs
Wikis
RSS

Is anyone using Twitter actively? Do you find it useful? Do you find out about cool stuff through Twitter? Or is it just more noise, less signal?

Personally I’m a little addicted but I’m not sure if it’s a good, productive addiction or a bad, waste-of-time, distracting addiction. It’s a little like being at a big dinner party and trying to have lots of different conversations at the same time and never quite getting to the point.

This week’s Kultureflash editorial looked at the media’s attention on the increasingly tense relationship between Hollywood and the internet in the wake of this year’s somewhat low key Oscars.

I thought the articles linked to by KF might be of interest: The Economist: ‘Coming Soon’; The Economist: ‘There will be blood’; Telegraph, and Wall Street Journal .

Tamsin

SP London

I wanted to link to this post from Internet Duct Tape not because you will necessarily be interested in his links (although you may be!) but because it’s a great example of how you can cross-post across various social web-oriented websites to spread your links far and wide. In this case to delicious, stumbleupon, Twitter and Tumblr.

One of the things I would say about all these sites is that it really helps to use them to get a sense of how they work. Reading the “about” section isn’t always that helpful. I thought Twitter was for twits until a friend showed me how he was using it to really participate in a community of film geeks in San Francisco and beyond.