Rob started shooting on the same day as Chris and I started Nina Forever so I am more than a little blown away with my admiration for how quickly Rob has got this film out the door. That muscular efficiency is clear in every cut of this lean and compelling film. Rob has also captured a stand-out central performance and uses this as the anchor for a tough but hopeful portrait of a child soldier trying to start a new life.
Shot in three weeks on a micro budget it really is a must see.
WATCH SIXTEEN HERE:
My interview with Rob before he shot the film…