ASK & DISCUSS INDEX

5 years, 10 months ago - Justin Wildridge

Hi Yvoni,
I can offer you two possibilities. I do have some solo piano pieces that you might be interested in, and these I would happily allow you to use for film credit; or we could look at a bespoke score once you have some funding established?
Let me know your thoughts.
Best,
Justin

5 years, 10 months ago - Chris Cardell

Yvoni,

We have some tracks that are free to use which you can check out at https://www.musicrevolution.com/free_production_music/
You might find something that meets your needs.

We also have paid tracks in the style of Ludovico Einaudi that you can check out.at
https://www.musicrevolution.com/royalty-free-music-tracks/influence/Ludovico+Einaudi

I hope this helps.

Chris Cardell

5 years, 3 months ago - Jill Owen

Are you still looking for music? Jill

5 years, 3 months ago - Seaming To

https://seamingto.bandcamp.com/album/seaming

Dear Yvoni
Hello and I hope you’re keeping well and safe
See above a link to a solo album
(In particular track ten named “Deer”: solo piano prince)
I am also available to make bespoke work.
I hope all is well, my name is Seaming, I'm a producer/instrumentalist/composer/vocalist.

Please see the links on shootingpeople for some other pieces/examples of my soundtrack work) (filmmaker Maya Deren's Meshes of the Afternoon as well as Test Patterns. I use analogue synths, piano, woodwind, voice but can also go sound effect/ambience.

If of interest: here are links to some released music:

seamingto.bandcamp.com/album/seaming

seamingto.bandcamp.com/album/mermaid-ep

heres my website, for links to other previous work
www.seaming.co.uk

Im pretty self-contained, I play, sing, record and produce in my purpose built garden studio in North London.

Be great to hear from you when you have time,

all the best,


Seaming

email seamstroid@gmail.com

Ps happy to collaborate on your short or indeed, future stuff,
pps. heres my biog if of interest...??: ...it’s bit longwinded..

“..An astonishing vocalist of haunting emotional power” The Guardian
“..One of the most captivating , and unclassifiable performers on the British music scene.” Financial Times
“…the voice of the 21st century…” Radio One
“..is an intriguing artist..” Timeout

Composer, vocalist, multi-instrumentalist and producer Seaming To was born in London and comes from a family of concert pianists. She studied at the Royal Northern College of Music and during her time in Manchester began performing and releasing albums with supergroups Homelife (Ninja Tune) and Graham Massey’s Toolshed. She has appeared on BBC Radio (Radio 3′s Mixing It/LateJunction/Radio 1′s Breezeblock show/6 Music) and performed and toured the UK, Europe and the Far East.

To has been described as ‘the voice of a 21st Century’ (Radio1), and an artist that is truly ‘avant garde’ (Robert Wyatt). Her experimental ethos and mastery across a variety of instruments has enabled her to collaborate with some of the most respected and radical artists of this decade, particularly in electronic, classical and experimental genres.

She has performed and recorded with the likes of Robert Wyatt, Jean Claude Vannier, Herbaliser, Punchdrunk Theatre, James Ford (SMD), Leila (Warp records), electronic outfit Funckarma, Michael England, Forkbeard Fantasy Theatre, Leon Michener, Bordeaux Symphony Orchestra, composer Larry Goves, Cinematic Orchestra, pianist Matthew Bourne and Mayming, an experimental duo with cellist Semay Wu. Seaming has composed music for film and theatre which includes Stormbringer at the National Theatre, Jenna Collins’ film More Real Than The Every Day World (of which toured numerous venues in the UK), Forkbeard Fantasy animations and theatre productions of Invisible Bonfires, Rough Magyck, The Colour of Nonsense; soundtrack for Maya Deren’s At Land (performed at the Barbican) and Deren’s Meshes of the Afternoon, performed live, at the Queen Elizabeth Hall for Birds Eye View’s Sounds and Silents, Latitude Festival and Opera North Howard Assembly Rooms in Leeds, and most recently a live soundtrack to New York Filmmaker Victoria Keddie’s Test Patterns for the closing night of the Basquiat: Boom For Real Retrospective at Barbican 2018.
.
She has released an EP of Sodaslow on For Us and album Seaming and Mermaid EP is out now on Lumin

5 years, 3 months ago - Jill Owen

I have some examples of my piano music on pianocourse.co.uk in the composer page and would also happily write some free music bespoke for you so let me know, good luck, Jill