ASK & DISCUSS INDEX

11 years, 2 months ago - Paddy Robinson-Griffin

@Christopher Green I don't think there's a client freeze, just an oversubscribed sector with everyone hoping to get seen. And it really isn't the panacea people hope, I've a friend who's been with ICM or whatever they're called now since winning prizes whilst younger - they didn't get him any work in over a decade, he got it all himself -until he could make himself attractive enough for them to be able to take a slice of his fee. Probably best to not get too hung up on it, but accept that one you're making money from it, you'll soon find someone ready to take 15%

11 years, 2 months ago - Christopher Green

Hi Marinella
I've tried honestly, actors, producers, directors...I think there might be some sort of client freeze going on, but I'll keep going.
Thanks :)

11 years, 2 months ago - Christopher Green

@Deva Palmier
Hi Deva. Thank you for your words of support. I've not yet seen The Caravan myself yet as they are taking it to Cannes to try and sell it, so not got a link as yet I'm afraid. :(

11 years, 3 months ago - Stephen Russell

Hey Christopher, that's amazing what you've accomplished! I'm curious though, how were you able to submit your work initially in order for them to then go into production?

Good luck with it, sir, and I look forward to hearing back. :)

11 years, 3 months ago - Dan Selakovich

Have you tried to get an agent in America? With 3 produced pictures, I'd be shocked if you couldn't get one. Try it this way: find an agent you want, and send a cover letter and script to his/her ASSISTANT. Assistants want to move up the ladder, and a hot project will allow them to do that. Start with the larger agencies like CAA and work your way down.

11 years, 3 months ago - Richard Anthony Dunford

Do you really need an agent? You've already had scripts produced with name talent so just keep doing what you're doing.

My experience with agents and managers when it comes to writing is they're there more to negotiate contracts then actually find you the work in the first place which is the hard part.

Since you've already had work produced you should know what a fair contract looks like so just refer back to them or look through WGGB or WGA guidlines.

Oh and as Frank above has eluded any agent, manager or production company that want's money from the writer is a con. No grey area

11 years, 3 months ago - Marinella Setti

I would ask someone to recommend me to their agent. You said you've done this already, but try asking high profile actors to help you, or anyone with a bit of visibility. These people don't need more clients, and they'll most likely approach people who are on the rise or whose work they really like - but again, not a cold call! Also, don't just go for anyone. Look at their books, and curiously you will see lots of people who have not done anything in a long time. Good luck!

11 years, 3 months ago - Anna-Maria Nabirye

Sorry this isn't really a helpful comment. But you are doing so well, do you really need an agent? If you manage to attract good directors and good cast- your work obviously speaks for itself! Well done!!

11 years, 3 months ago - Franz von Habsburg FBKS MSc

Oh yes, I found an agent alright. He wanted a retainer of £1,000 per month...

11 years, 3 months ago - Christopher Green

Hi all. Thanks for taking an interest and offering words of support and advice. I guess I'm doing OK, but my main problem is that I'm really limited to a certain number of contacts [mainly existing] that I can get my work in front of because a lot of producers/production companies won't accept unsolicited scripts. I must say as well, that although I've had 3 features go into production, one I produced my self, Best Laid Plans only secured a limited theatrical release and the latest one - The Caravan is currently trying to secure a distribution deal.
Thanks again to all of you for taking the time out to respond, it's much appreciated.
Chris

11 years, 3 months ago - Paddy Robinson-Griffin

'...go into production' - did they get distributed? That could make a difference - if the public can actually see the work and pay for it sets a certain value to it.

Also, did you get paid for the work? Again, may make a difference - agents aren't managers, they have less incentive to back you for the long haul and more to take their 15%.

If you're getting regular paid gigs in distributed features, I'll represent you myself ;-)