ASK & DISCUSS
INDEXI'm making my first feature film and doing a podcast about it!
8 years, 9 months ago - Ross Birks
Hi everyone,
I recently began pre-production on my first feature film which I am making independently. It's called "Hollywood Boulevard" and is a dark comedy/thriller set in a small British cinema over 24 hours. We're shooting it on location at The Rex cinema in Elland who have allowed us to film there with their full co-operation.
As someone who has wanted to write/direct films all my life and has been making shorts and writing scripts extensively over the past few years with varying degrees of success, I decided to finally take the plunge and try and make a feature off my own back. As of yet, we have no funding and all cast and crew are working for expenses and deferred payment. I don't have any major contacts in the industry or any kind of support. I put a lot of effort into writing a strong screenplay that gives actors a lot to get stuck into (lots of focus on character and dialogue) and also takes advantage of our limited resources. I grew up hearing filmmakers like Christopher Nolan, Jim Jarmusch, Kevin Smith, Robert Rodriguez, Joe Swanberg and many more saying over and over again that the best way to make films is to just make films. Many of those filmmakers have made careers from making one low-budget and inventive feature so now I'm having a go at it myself!
I figure there are probably a lot of filmmakers in my position who find the idea of making a feature in this day and age quite daunting or impossible. I'm determined to prove this mentality wrong so I decided to record a weekly podcast about the production so listeners can hear exactly how I'm going about getting this film made. Of-course the film might end up being terrible or nothing more than a .mov file on a hard drive but I think it's worth documenting the journey either way. Hopefully I can inspire others to start their own path or, at the very least, avoid any mistakes that might trip me up on the way!
It'd be great to get some new listeners and hear what people think to the episodes so far as well as some feedback on how I could improve it.
The podcast will be on iTunes shortly but it can currently be found at: https://soundcloud.com/rossbirks
We also have facebook and twitter accounts:
https://www.facebook.com/hollywoodblvdfilm/
https://twitter.com/HollywoodBlvdUK
Also if there's anyone out there with advice on making a feature or think they can help out the project...let me know!
Thanks,
Ross
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8 years, 9 months ago - Martyn Tott
Hi Ross,
I know exactly where you're coming from. I'm releasing my first feature film 'Hunters Lodge' this weekend online. I don't have any industry contacts and we didn't have a budget either. If you really want to do it though, you can and you will. I shot on full frame DSLRs (Canon 6D) with prime lenses in available light and edited in FCPX. This actually gave it a look that better reflected the spooky location feel and avoided loads of issues with huge hot lighting rigs. (Not always possible I know but it meant we worked much quicker too).
I found casting the right people early on and rehearsing key scenes was very important. That way on location the actors knew each other, they were familiar with the script inside out and we had workshopped any clunky dialogue to improve it, we just had to block it when we were there but the groundwork was ready.
I'd made shorts first, I wouldn't have tried this before making 15/ 30 then 50 minute films as I learned so much (being self-taught) which saved me going bonkers on the feature which is such a different beast with pacing and story arcs etc. In the end I said "I'll make this because I want to do it, I am not going to get rich but I'll have fun and learn loads on the way".
Also finding people who really believe in it enough to do it for the love of film making. We had some actors/crew who said 'I'd like to be in this but please come back when you get a budget'. Fair enough but for the ones who wanted it enough and invested the time I was able to develop their characters in places for their efforts so they got a bigger part; it's a give and take scenario.
Looks like a great location, that was important for us too because it feels like a production rather than borrowing someones front room etc if you don't have any money to play with. Also without funding on a big positive note it means no interference so you make the film you want to make.
It can be done. I wish you the best for this, the rewards outweigh the stress eventually even if you just end up with a film YOU all really love you'll learn loads. No matter how much I read about it, doing it will give you the skills and experience you need.
In truth the marketing/distribution bit is the biggest obstacle. That's where we are at now (I kept my day job!). Remember you're doing it to enjoy it too.
Feel free to message me and I'll try to answer any questions. I hope that helps.
Cheers,
Martyn
https://vimeo.com/ondemand/hunterslodgemovie
Response from 8 years, 9 months ago - Martyn Tott SHOW
8 years, 8 months ago - Ross Birks
Hi Martyn, thank you for all the advice. A lot of things have fallen into place on the strength of the script, such as cast and crew. I've managed to get an experienced DOP and crew on board which is the last thing I expected but I would have absolutely shot this on a DSLR if I had no other choice. They're great little cameras and, if used well, can really capture a unique and strong image. I hope your feature is doing well, I watched the trailer and it looks like you've got a great variety of locations in there!
Response from 8 years, 8 months ago - Ross Birks SHOW
8 years, 9 months ago - Lee 'Wozy' Warren
Hi Ross,
I've produced on a number of film and TV projects, among other roles, and the few bits of advice I can give you are below:
Develop the script to be the best it possibly can be.
Schedule and budget the film to death.
Plan as much as you can.
Make it small and achievable.
Don't put all your resources into the biggest camera/resolution you can get.
Don't skimp on Sound Recording on set.
Don't skimp on post.
Don't assume it can be fixed in post (this costs money).
Assume that everything will go wrong, but hope it wont.
Get insurance even to the detriment of expenses to cast and crew (they'll thank you later when something goes wrong).
Be bold.
Only start production when you know you can afford to finish.
Start to build a following for your film (not just through the podcast).
And, as this is your first feature, get an experienced producer to look in from time to time and help with advice on any issues
And good luck.
Oh and did I mention about the script being the best it can be?
Wozy
Response from 8 years, 9 months ago - Lee 'Wozy' Warren SHOW
8 years, 8 months ago - Ross Birks
Hi Wozy, thanks for your reply and the advice. I agree with all your points. I've worked hard on the script to make sure it's worth people's time. I've managed to attract a lot of talent in front of and behind the camera on the strength of the screenplay so that has helped me out a lot. We've also got the attention of an experienced producer who is doing exactly what you suggested. Seems like we're on a good path...for now. Thanks again mate!
Response from 8 years, 8 months ago - Ross Birks SHOW
8 years, 9 months ago - Brendan O'Neill
I would say polish your script with the help of an experienced, reputable script editor or advisor that has worked on real projects i.e. films that have been made. Then try and find a sales agent or distributor that can give you a professional opinion on whether your script once realized into a film would be commercial. (NB I can recommend some folks if you wish)
Otherwise - like so many who just rush in - you'll just be making a home movie. Thats fine if its just your own money or via crowdfunding but not good if you borrow or are given funds by sympathetic family friends or investors IMO who might expect to see a return.
If your intent is just to learn a lot by simply doing and you're not expecting to get distribution then go ahead anyway.
The other thing to think about even at the pre-production stage is what festivals you want to aim the film at if you're taking that route. There are folks such as the Film Doctor that can advise you on this and help avoid the pitfalls.
Good luck with it.
(Well done Martyn for your approach too)
www.twitter.com/Stickleback_Pro
Response from 8 years, 9 months ago - Brendan O'Neill SHOW
8 years, 8 months ago - Ross Birks
Thanks Brendan, a lot of that stuff is definitely in our headspace as we inch towards shooting (at the end of the month). I really take writing seriously and wouldn't have embarked on tackling a feature if the script wasn't worth it so I understand 100% how important that can be in the long run. It does seem to be the first mistake people make and I've tried to avoid writing something generic. As far as production/festivals is concerned, I have a few filmmaking friends who completed a feature last year that has done the festival rounds both locally and internationally and some of the crew working on our film worked on that so we're putting a lot of what they learned into practice. Thanks for taking the time to reply Martyn, I really appreciate it.
Response from 8 years, 8 months ago - Ross Birks SHOW
8 years, 9 months ago - Dan Selakovich
Absolutely everything Wozy said. Especially "Only start production when you know you can afford to finish."
If I can add to that list:
Since people are working for free (or even if they are not), DO NOT skimp on food and craft service. This isn't a small thing at all.
Try to get a proper editor. Most directors think they can edit. They really can't. Let them do the first cut without you in the room. You can change it later if you don't like what they've done, but odds are, you'll be pleasantly surprised.
Wozy didn't put it this way exactly, but sound is more important than picture. Audience's tend to forgive an image that isn't top notch, but they won't forgive sound that isn't.
If you'll be cutting dialogue and sound efx on your own, please learn how to cut dialogue properly for a mix. Bad tracks are a pet peeve of mine, and I thank you greatly for doing it right. Really, I do.
If the film ends up being good, try to mix it in a proper mixing stage and not in your living room with a pair of headphones.
Since this is a one location film, I'd try to shoot in sequence if at all possible. This will help inexperienced film actors considerably.
Try to keep your shoot days under 12 hours. 10 is even better. Long hours for even one week straight makes the film worse and makes accidents happen.
The very best of luck. Be over prepared! Have fun!
Response from 8 years, 9 months ago - Dan Selakovich SHOW
8 years, 8 months ago - Ross Birks
Hi Dan, thanks for your reply. I hear you, we've got a good spread on for the cast & crew at lunch which everyone seems excited for! We have a professional sound recordist doing all our production and post-production sound so I've tried to avoid that trap like the plague! Luckily our schedule is dictated by the location (an operating cinema) so we're shooting for 3 days a week with a few days in between. They're going to be a bit intense, schedule wise, but at least it won't be constant. Just got to make sure our continuity is on point!
Response from 8 years, 8 months ago - Ross Birks SHOW
8 years, 9 months ago - Stuart Wright
I host the Britflicks.com weekly podcast ... so holler when you're film is in the can and you can come on and talk about your experiences of making your first feature
Response from 8 years, 9 months ago - Stuart Wright SHOW
8 years, 8 months ago - Ross Birks
Hi Stuart. That sounds great! I'll definitely be in touch down the line.
Response from 8 years, 8 months ago - Ross Birks SHOW
8 years, 9 months ago - Andrew Melvin
Ross, I don't have any specific help to offer, but I wanted to wish you every success and congratulate you on a very interesting podcast - it's refreshing to hear somebody reveal their doubts about succeeding (Episode 5). I hope your passion and your excitement over the script pay off.
Response from 8 years, 9 months ago - Andrew Melvin SHOW