ASK & DISCUSS
INDEXPhotography to Cinematography Advice- Career Change
3 years, 2 months ago - Michelle Siu
Would really appreciate any career advice for someone with very limited contacts in film. I am a Canadian photojournalist changing careers to cinematography based in Hackney/London. Last year I finished an MA in Film and TV and now I'm unsure what crew roles to go after. Any advice? I am relatively new to the UK and film but have 9 yrs experience as a freelance photographer. I've mostly only made short films that are personal projects/student projects but very self-sufficient and learn technical things quickly. I'm a new mother as well which makes sporadic hours difficult. Anyway, I feel a bit vulnerable putting this out there but any advice if I should go after Camera assistant? Trainee? Cam Operator? Editing assistant would be very appreciated. Or any advice on boutique production companies accessible from East London that I can cold-email? THANK YOU! Michelle (If it helps my reel is here) https://www.michellesiu.com/film
Only members can post or respond to topics. LOGIN
Not a member of SP? JOIN or FIND OUT MORE
3 years, 2 months ago - Mark Wiggins
Try and get some work at a rental house as a kit room technician. That way you get to know the equipment and meet camera crews. Let everyone know you want to be a trainee and see if you can get on some jobs (even unpaid shorts). The more jobs you work on, the more contacts you make which leads to more jobs. From trainee it’s then a step up to 2nd AC etc.
Also, if you start off at a rental house, they may let you use some gear to shoot some spec stuff so you can start to build up a reel of your own. That way you will have something your show people and you can get some shorts as a DOP. If cinematographer is your ultimate goal.
Networking is very important.
Response from 3 years, 2 months ago - Mark Wiggins SHOW
3 years, 1 month ago - Michelle Siu
Thank you really appreciate that. I have applied to a few kit room jobs but no luck yet but will keep trying. I have my own kit- (an FX6) and a working showreel ( https://www.michellesiu.com/film). Was hoping my 10 years of experience as a photojournalist may count for something so I wouldn't have to start at the bottom but it seems that is the only path? Anyway thank you.
Response from 3 years, 1 month ago - Michelle Siu SHOW
3 years, 1 month ago - Vasco de Sousa
Your ten years does count as something. With some Bectu positions, there is a kind of order, where jobs tend to have prerequisites, but I am not sure if cinematographer is one. (I do not think it is.)
But we live in a capitalist, free world, and anyone is free to hire you as a cinematographer.
Basically, I would strongly consider hiring you based on your showreel. (Not that I have money or a film company at the moment, but if there are any of my projects you are interested in, then I can put your name forward when looking for investors.)
Being a new mother might be difficult for full time work, but then again I find parents to be more conscientious and responsible, so I would not count it against you. That said, a lot of film work involves more travel than television or advertising does. With television or advertising, you can work at a studio, so you might get more sleep.
(Ridley Scott started in advertising, so did a lot of top US and Indian filmmakers.)
As a film grad, you may get jealous film school rejects at the fringes of the industry trying to knock you down. But people who actually make films for a living will not count it against you. (Many fine artists in the UK hide their training on their websites. I know they are graduates because I discovered their work at graduate shows, but their websites and sometimes even CVs leave it out. I do not know why they do this, but maybe they met one of those annoying people.)
Another difficulty might be having a foreign accent. There are a few annoying people who will treat you differently, try not to let them get to you.
But yeah, I think you are ready to be a cinematographer, and if you were available and in the same town, and I had a project, I definitely at least interview you.
Response from 3 years, 1 month ago - Vasco de Sousa SHOW
3 years, 1 month ago - Michelle Siu
Thank you so much for taking the time to respond. The advertising angle is actually one I'd really think about now so thank you. Your advice and looking at my credentials means A LOT as I'm a bit lost here without many contacts for advice. Grateful for the side bar about film school politics. It took nearly a decade and a scholarship to afford it and its funny how people mask it to the industry! Interesting to me. Thank you for that insight! And about accents it is rather annoying but have gotten used to it. Thank you again, this was really helpful
Response from 3 years, 1 month ago - Michelle Siu SHOW
3 years, 1 month ago - Michelle Siu
Thank you really appreciate that. I have applied to a few kit room jobs but no luck yet but will keep trying. I have my own kit- (an FX6) and a working showreel ( https://www.michellesiu.com/film). Was hoping my 10 years of experience as a photojournalist may count for something so I wouldn't have to start at the bottom but it seems that is the only path? Anyway thank you.
Response from 3 years, 1 month ago - Michelle Siu SHOW
3 years, 1 month ago - Mark Wiggins
It is possible to go straight into working as a cinematographer. Some of the younger BSC members got their start shooting shorts which ended up on Youtube and have never worked as an AC. A lot of it is based on luck and contacts. Shoot as many shorts as you can, keep plugging away. Network a lot. Meeting people is the key, whether at networking events on while working on shorts. Its all about getting noticed. No one will hire someone they only know from a CV.
I'm not saying you have to rigidly work your way through the grades, but working as a kit room tech or a trainee or AC is a good way of meeting people and earning money while you are also working on low budget shorts, music videos as a DOP. Show the stuff you've shot to people you are working for as an AC or trainee Eventually someone, somewhere will give you a go on a paid job perhaps as a DOP on a Splinter Unit or even Second Unit. I know DOPs who have gone straight from 2nd AC to DOP without ever having worked as a 1st AC or Operator.
Also, make sure you regularly post on Instagram. You'd be surprised how many Commercials DOPs get there jobs because directors have seen their work there.
Join the BSC Club. Probably the best networking around if you are a cinematographer. You get invited to BSC events and get to mix with BSC members.
You've just got to plug away.
Response from 3 years, 1 month ago - Mark Wiggins SHOW
Response from 3 years, 1 month ago - Mark Wiggins SHOW
3 years, 1 month ago - Michelle Siu
Thanks Mark. It's a really good tip about networking and instagram. I know it's neccessary but really not second nature for some of us! i wish there was some kind of self promo visual arts freelancer class! hah. Making shorts which is most of my experience so far so I'll try to continue doing that as a means of networking. I'd love to be an AC as it'd put me around the tech and on sets but I know even that is skipping the line having now gone through the channels before. Thank you. really appreciate the self promo and larger advice a lot.
Response from 3 years, 1 month ago - Michelle Siu SHOW
Response from 3 years, 1 month ago - Michelle Siu SHOW