ASK & DISCUSS
INDEXWhy you need to use proper formatting when screenwriting
10 years, 1 month ago - Shore Scripts
As a reader at Shore Scripts, I still can't believe it when I get handed a script, which isn't properly formatted. My heart drops, as I know it's going to be a slog to get through it. Incorrect formatting almost always means the script is way longer than the page count suggests, therefore it's going to take up more of my time to read it. And that's something that puts the script into an immediately bad light.
Any script that you’re prepared to submit, whether to an agent, a production company, or a competition, is expected to meet some basic requirements. If you’re not adhering to the industry standard, not only could you be coming across as an ‘amateur’, you also risk having your screenplay dismissed before it’s even been read.
Getting to grips with the correct margin length and spacing can be tricky, especially for those of us who are still typing scripts out on word processors like Microsoft Word. It becomes all the more important that the document looks as close to the expected layout as possible so check out the adjoining guidelines to help achieve that professional look.
The easiest way to get a handle on layouts is to use screenwriting software, which does all the hard work for you. Although some programs such as Final Draft or Movie Magic can be expensive, the benefits and ease of use can free up a writers time immeasurable. There are cheaper alternatives out there too.
CELTX for instance is a free online screenwriting tool, which does everything you need to create that professional look at minimum cost. Properly spaced out text, clean looking title pages, the all-important courier 12 font. It comes in a handy mobile app too so you can literally use it anywhere you have an internet connection. There's even a collaboration feature so two or more writers can be working on the same script at the same time! For the filmmakers, they also offer an all-in-one studio subscription, where you can create storyboards, production budgets and create shooting lists etc.
A Celtx subscription is one of the prizes in this years Shore Scripts Screenwriting Competition (www.shorescripts.com) but you anyone can sign up for free and start using the screenwriting software right now. So if you have a brilliant idea for a script but don't have access to any screenwriting software, give your script a better chance at getting past the reader when submitting and give Celtx a go. You don't want make any readers immediately loath the prospect of reading your script. Trust me.
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10 years, 1 month ago - Lynwood Shiva Sawyer
People believe that the job of a reader is to find good scripts.
Not.
Today, with tens of thousands of scripts being written every year and tens of thousands of scripts from previous years on the market, the job of the reader is to winnow the pile out as quickly as possible.
A badly formatted script enables the reader to give a PASS with a single glance.
Case in point. Transitions (DISSOLVE:, CUT TO:, etc.) go on the righthand margin. Correct?
I always thought a FADE was a transition and logically should go on the righthand margin.
I argued this point with a friend who is on the board of one of the big screenwriter fellowship programs.
He agreed with the logic, but said, "Trust me. Put FADE IN: on the lefthand margin, or the reader will reject the script on the basis of the very first word."
Which I now do (but grudgingly).
Response from 10 years, 1 month ago - Lynwood Shiva Sawyer SHOW
Response from 10 years, 1 month ago - Ivo Marloh SHOW
10 years, 1 month ago - Ivo Marloh
Mmmmmh I'm sorry but..... Come on! This discussion is so 10 years ago, surely there's only 1 out of 50 people who still doesn't format correctly? Also, if you post one if those "I can't believe you still don't know how to write script" posts, please make sure that your own grammar, punctuation and typo-standard holds up to scrutiny. Nothing worse than reading one of these plugs coming across typos all the time. Sorry, but seriously.
Response from 10 years, 1 month ago - Ivo Marloh SHOW
10 years, 1 month ago - Charles Harris
Ivo, I wish! You wouldn't believe how many scripts I still see that are badly formatted. A common fault is that the writer has somehow got the idea that the dialogue and character names are centred. Have you ever tried reading centred dialogue! It's excruciating to follow.
Essentially, anyone who sends in a badly formatted script either (a) hasn't been around the industry long enough to know differently or (b) doesn't care. Either way, it's a very efficient way of telling readers who to avoid!
For the record, in my entire career, I've only ever read one badly formatted script that I felt had any content worth following up on. And that writer turned out to be too bolshie to work with.
Nuff said.
C
Response from 10 years, 1 month ago - Charles Harris SHOW
10 years, 1 month ago - Stuart Wright
How do I delete my flippant comment? Admin? Please help ... It was the end of the day and I was grouchy ...Sorry
Response from 10 years, 1 month ago - Stuart Wright SHOW
10 years, 1 month ago - Peter Spencer
The 'free' version of Celtx is, understandably, very limited. The pro is better, but if you are going to pay money then at around £36 Fade In Pro leaves the others dead in the water. http://www.fadeinpro.com/page.pl?content=comparison
Response from 10 years, 1 month ago - Peter Spencer SHOW
10 years, 1 month ago - Lee 'Wozy' Warren
When you say content, do you mean - the story, written in script format? Or the formatting itself?
There a lot of resources online that deal with both. Personally, I would recommend www.screenwritingU.com as a place to learn the 'Hollywood' way.
Wozy
Response from 10 years, 1 month ago - Lee 'Wozy' Warren SHOW
10 years, 1 month ago - Stuart Wright
This discussion was started to plug a competition that offers CELTX subscription as a prize
Response from 10 years, 1 month ago - Stuart Wright SHOW
10 years, 1 month ago - Dan Selakovich
I'm a bit shocked this still happens. I haven't read a bad format in years with all the formatting software available. But I do live in L.A. and everyone has Final Draft.
Response from 10 years, 1 month ago - Dan Selakovich SHOW
10 years, 1 month ago - Andrew Morgan
Yes please - correct formatting isn't hard with the tools available - I cringe every time I receive an unformatted script.
Response from 10 years, 1 month ago - Andrew Morgan SHOW
10 years, 1 month ago - stephen hayes
As an absolute beginner I use Fountain Highland, much simpler than final draft.I find there is too much critique on this type of subject but no real guidance as to thoughts on content and what is required and why in the full picture of things.I haver read books, looked at scripts, writing a script but in reality, still 'blind' Is there any real guidance out there.
Response from 10 years, 1 month ago - stephen hayes SHOW
10 years, 1 month ago - Lauris Beinerts
You don't even need to pay for any software!
This http://en.wikipedia.org/wiki/TextEdit with this http://fountain.io/syntax and then this http://afterwriting.com/
Works a charm!
Also, is to my knowledge the only way of actually writing screenplays in other alphabets than pure latin. Worked out for me when I needed a screenplay in Latvian, which contains ļotš of dīffēŗēņt čhāŗāčtēŗš!
Response from 10 years, 1 month ago - Lauris Beinerts SHOW
10 years, 1 month ago - Lee 'Wozy' Warren
And not to mention that most of the time producers, agents and managers don't have time to read this stuff and so mostly have assistants or readers to look through for the best on offer. You'll find yourself in a waste bin somewhere if you don't submit a professional script.
There are so many resources available online now that there is absolutely no excuse for not knowing what is right and what isn't.
If you aspire to be a professional writer, then you should be thinking about investing in time taken to write (which is considerable), training (like learning structure, character, plot etc) and tools (like proper software). In no other business would you turn up for a days work with a thrown together hotch potch of tools and skills and hope to get away with it...
My 2c worth.
Wozy
Response from 10 years, 1 month ago - Lee 'Wozy' Warren SHOW
10 years, 1 month ago - Paddy Robinson-Griffin
Absolutely - most scripts are dull enough reading already without being misformatted! For a producer/LP/PM to read a script properly takes about 4h - to read, make notes, understand the story well enough to be able to comment on it. Improper formatting makes that even slower!!
Response from 10 years, 1 month ago - Paddy Robinson-Griffin SHOW