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Mark Renshaw Contact
Cyborn

Severally damaged and pursued by an angry mob, an android uses a set of dice to help him select memories to relive before he runs out of power. Winner of the 2018 Inroads Screenwriting Fellowship.

Sci-Fi
Low Budget (< £100k)
Short

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Peter Jones Contact
The Time Trigger

Carl a Top-secret black op specialist is sent to spy on somebody else’s dangerous undercover mission and all hell breaks loose.

Sci-Fi
High Budget (> £500k)
Feature

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Nik Hilton Contact
Athena

On a post-apocalyptic Earth, Athena, a pessimistic young borg must expose the potential of SOMA before the cyborg race are destroyed.

Sci-Fi
Medium Budget (< £500k)
Feature

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L R Contact
BETSY

In the distant future, a bounty hunter and his prey form an unusual bond.

Sci-Fi
Low Budget (< £100k)
Short

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Sean-Paul Thomas Contact
The Wrath of David

After a brutal civil race war, an ex-marine with a tragic past and nothing left to live for sets off on a journey of revenge and redemption into the heart of a new and lawless, un-United Kingdom.

Sci-Fi
Medium Budget (< £500k)
Feature

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Sean-Paul Thomas Contact
Alone

A young man awakens from a long hibernation sleep onboard a crew-less space shuttle with no memory of who he is or how he ended up on board the 'lost in space' vessel.

Sci-Fi
Low Budget (< £100k)
Feature

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Kevin Hopgood Contact
Murphy's Law

In a future where everything that can go wrong, has gone wrong, there's only one law.
Murphy's Law.

Sci-Fi
Low Budget (< £100k)
Short

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Sean-Paul Thomas Contact
The Wrath of David

After a brutal civil race war, an ex-marine with a tragic past and nothing left to live for sets off on a journey of revenge and redemption into the heart of a new and lawless, un-United Kingdom.

Sci-Fi
Medium Budget (< £500k)
Feature

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Alève Mine Contact
The Premise

"The Premise" is the story of the scientist Al Ukin whose research in dystopian times saves mankind. She helps Rho and his team save the universe - not the world - in the far future. In some of the histories visited.

- This scifi is based on actual science, double-checked with academia. Real-world experiments eventually proved core assumptions!

SAVING THE UNIVERSE DOESN'T GET ANY MORE REALISTIC THAN THIS.

Sci-Fi
High Budget (> £500k)
Feature

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Ed Griffiths Contact
VERSATILE OBSERVER

I think, therefore I Am.
I think; therefore I am unable to comply with your programming...

Sci-Fi
High Budget (> £500k)
Feature

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